Vết thương thân thể sẽ lành nhưng thương tổn trong tâm hồn sẽ còn mãi suốt đời. (Stab the body and it heals, but injure the heart and the wound lasts a lifetime.)Mineko Iwasaki
Cuộc đời là một tiến trình học hỏi từ lúc ta sinh ra cho đến chết đi. (The whole of life, from the moment you are born to the moment you die, is a process of learning. )Jiddu Krishnamurti
Sự giúp đỡ tốt nhất bạn có thể mang đến cho người khác là nâng đỡ tinh thần của họ. (The best kind of help you can give another person is to uplift their spirit.)Rubyanne
Người tốt không cần đến luật pháp để buộc họ làm điều tốt, nhưng kẻ xấu thì luôn muốn tìm cách né tránh pháp luật. (Good people do not need laws to tell them to act responsibly, while bad people will find a way around the laws.)Plato
Lo lắng không xua tan bất ổn của ngày mai nhưng hủy hoại bình an trong hiện tại. (Worrying doesn’t take away tomorrow’s trouble, it takes away today’s peace.)Unknown
Quy luật của cuộc sống là luôn thay đổi. Những ai chỉ mãi nhìn về quá khứ hay bám víu vào hiện tại chắc chắn sẽ bỏ lỡ tương lai. (Change is the law of life. And those who look only to the past or present are certain to miss the future.)John F. Kennedy
Không thể lấy hận thù để diệt trừ thù hận. Kinh Pháp cú
Chúng ta không thể đạt được sự bình an nơi thế giới bên ngoài khi chưa có sự bình an với chính bản thân mình. (We can never obtain peace in the outer world until we make peace with ourselves.)Đức Đạt-lai Lạt-ma XIV
Sự toàn thiện không thể đạt đến, nhưng nếu hướng theo sự toàn thiện, ta sẽ có được sự tuyệt vời. (Perfection is not attainable, but if we chase perfection we can catch excellence.)Vince Lombardi
Chúng ta thay đổi cuộc đời này từ việc thay đổi trái tim mình. (You change your life by changing your heart.)Max Lucado
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At last people are beginning to see that it is possible, and important in human terms, to
respect old buildings, street plans and traditional scales and at the same time not to feel
guilty about a preference for facades, ornaments and soft materials. At last, after
witnessing the wholesale destruction of Georgian and Victorian housing in most of our
cities, people have begun to realize that it is possible to restore old buildings and, what
is more, that there are architects willing to undertake such projects.
For far too long, it seems to me, some planners and architects have consistently ignored
the feelings and wishes of the mass of ordinary people in this country. Perhaps, when
you think about if, it is hardly surprising as architects tend to have been trained to
design buildings from scratch to tear down and rebuild ... A large number of us have
developed a feeling that architects tend to design houses for the approval of fellow
architects and critics, not for the tenants.
To be concerned about the way people live, about the environment they inhabit and the
kind of community that is created by that environment should surely be one of the prime
requirements of a really good architect. It has been most encouraging to see the
development of community architecture as a natural reaction to the policy of decanting
people to new towns and overspill estates where the extended family patterns of support
were destroyed and the community life was lost. Now, moreover, we are seeing the
gradual expansion of housing cooperatives, particularly in the innercity areas of
Liverpool, where the tenants are able to work with an architect of their own who listens to
their comments and their ideas and tries to design the kind of environment they want,
rather than the kind which tends to be imposed upon them without any degree of choice...
What I believe is important about community architecture is that it has shown ordinary
people that their views are worth having; that architects and planners do not necessarily
have the monopoly of knowing best about taste, style and planning; that they need not
be made to feel guilty or ignorant if their natural preference is for the more traditional
designs for a small garden, for courtyards, arches and porches and that there is a
growing number of architects prepared to listen and to offer imaginative ideas...
It would be a tragedy if the character and skyline of our capital city were to be further
ruined and St Paul's dwarfed by yet another giant glass stump, better suited to
downtown Chicago than the City of London. It is hard to imagine that London before the
last war must have had one of the most beautiful skylines of any great city, if those who
recall it are to be believed. Those who do, say that the affinity between buildings and the
earth, in spite of the city's immense size, was so close and organic that the houses
looked almost as though they had grown out of the earth and had not been imposed
upon it grown, moreover, in such a way that as few trees as possible were thrust out of
the way. Those who knew it then and loved it, as so many British love Venice without
concrete stumps and glass towers, and those who can imagine what it was like, must
associate with the sentiments in one of Aldous Huxley's earliest and most successful
novels. Antic Hay, where the main character, an unsuccessful architect, reveals a model
of London as Christopher Wren wanted to rebuild it after the Great Fire and describes
how Wren was so obsessed with the opportunity the fire gave the city to rebuild itself
into a greater and more glorious vision. What, then, are we doing to our capital city now?
What have we done to it since the bombing during the war? What are we shortly going to
do to one of its most famous areas Trafalgar Square? Instead of designing an extension
to the elegant facade of the National Gallery which complements it and continues the
concept of columns and domes, it looks as if we may be presented with a kind of vast
municipal fire station, complete with the sort of tower that contains the siren.
I would understand better this type of High Tech approach if you demolished the whole of
Trafalgar Square and started again with a single architect responsible for the entire
layout, but what is proposed is like a monstrous carbuncle on the face of a much loved
and elegant friend. Apart from anything else, it defeats me why anyone wishing to display
the early Renaissance pictures belonging to the gallery should do so in a new gallery so
manifestly at odds with the whole spirit of that age of astonishing proportion. Why can't
we have those curves and arches that express feeling in design? What is wrong with them? Why has everything got to be vertical, straight, unbending, only at right angles and functional?
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Viên Hiếu Thành Huệ Lộc 1959 Bữu Phước Chúc Huy Minh Pháp Tự minh hung thich Diệu Âm Phúc Thành Phan Huy Triều Phạm Thiên Trương Quang Quý Johny Dinhvinh1964 Pascal Bui Vạn Phúc Giác Quý Trần Thị Huyền Chanhniem Forever NGUYỄN TRỌNG TÀI KỲ Dương Ngọc Cường Mr. Device Tri Huynh Thích Nguyên Mạnh Thích Quảng Ba T TH Tam Thien Tam Nguyễn Sĩ Long caokiem hoangquycong Lãn Tử Ton That Nguyen ngtieudao Lê Quốc Việt Du Miên Quang-Tu Vu phamthanh210 An Khang 63 zeus7777 Trương Ngọc Trân Diệu Tiến ... ...
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Viên Hiếu Thành Huệ Lộc 1959 Bữu Phước Chúc Huy Minh Pháp Tự minh hung thich Diệu Âm Phúc Thành Phan Huy Triều Phạm Thiên Trương Quang Quý Johny Dinhvinh1964 Pascal Bui Vạn Phúc Giác Quý Trần Thị Huyền Chanhniem Forever NGUYỄN TRỌNG TÀI KỲ Dương Ngọc Cường Mr. Device Tri Huynh Thích Nguyên Mạnh Thích Quảng Ba T TH Tam Thien Tam Nguyễn Sĩ Long caokiem hoangquycong Lãn Tử Ton That Nguyen ngtieudao Lê Quốc Việt Du Miên Quang-Tu Vu phamthanh210 An Khang 63 zeus7777 Trương Ngọc Trân Diệu Tiến ... ... ... ...